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Review: ‘Late Turner’ at Tate Britain
It is not painting that is set free here, but the painter, liberated from the often questionable roles into which he has been conscripted in the name of British art
It is not painting that is set free here, but the painter, liberated from the often questionable roles into which he has been conscripted in the name of British art
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites